Please use this identifier to cite or link to this item: https://cris.library.msu.ac.zw//handle/11408/6282
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dc.contributor.authorLangtone Maunganidzeen_US
dc.date.accessioned2024-09-19T07:15:56Z-
dc.date.available2024-09-19T07:15:56Z-
dc.date.issued2024-02-06-
dc.identifier.urihttps://cris.library.msu.ac.zw//handle/11408/6282-
dc.description.abstractThis opening chapter highlights the paucity of the research problem that informed the thesis of the book. It introduces the central argument weaving through the text. In particular, it establishes the importance of interrogating the various modes of representation and patterns of materialization of architecture and spaces to the discipline of sociology of architecture and space. It also provides a synopsis of the theoretical and methodological issues, and the motivation for the research and subsequently the production of the book. The chapter concludes with an overview of the book layout.en_US
dc.language.isoenen_US
dc.publisherSpringer, Chamen_US
dc.subjectrepresentationen_US
dc.subjectmaterializationen_US
dc.subjectarchitectureen_US
dc.subjectspacesen_US
dc.subjectsociologyen_US
dc.titleSetting the Toneen_US
dc.typebook parten_US
dc.relation.publicationRepresentation and Materialization of Architecture and Space in Zimbabwe: Between National Icons and Dispositifsen_US
dc.identifier.doihttps://doi.org/10.1007/978-3-031-47761-4_1-
dc.contributor.affiliationFaculty of Social Sciences, Midlands State University, Gweru, Zimbabween_US
dc.relation.isbn978-3-031-47761-4en_US
dc.description.startpage1en_US
dc.description.endpage17en_US
item.openairetypebook part-
item.openairecristypehttp://purl.org/coar/resource_type/c_3248-
item.fulltextWith Fulltext-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.languageiso639-1en-
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