| Issue Date | Title | Author(s) |
| May-2015 | Representation of the Community Share Ownership Trust programme in print media analysing power relations between public and private newspapers: A study of The Herald and the Zimbabwe Independent, from 23 January to 18 October 2014. | |
| 2018 | Exploring the digital space as a site of literary creation | |
| 2017 | Facebook as an alternative public sphere: online discussions of bond notes in Zimbabwe | |
| 2018 | The vulnerability of both genders in HIV and AIDS narratives: a study of Lutanga Shaba’s Secrets of a Woman’s Soul (2006), The Haunted Trail by Philip Chidavaenzi (2012) and Valerie Tagwira’s The Uncertainty of Hope (2006) | |
| 2017 | A content analysis of literary evidence of slave trade in Zimbabwe focusing on Zimbabwean women’s trafficking to Kuwait. | |
| 2015 | (Re)construction of valentine’s day on social media platforms: a study of messages circulating on whatsapp around valentine’s day. | |
| 2017 | Cultural interfaces and collisions: the influence of western cinema on Zimbabwean youth culture. | |
| 2017 | The dialogic relationship between mass media and society: an assessment of triadic reciprocal determinism of Zimbabwean mass media websites | |
| 2016 | The rise of ‘the Joshua generation?’: perspectives and attitudes on Facebook activism in Zimbabwe. | |
| 2017 | Zimdancehall: a rising platform in addressing socio-political injustices through lyrics. | |
| Oct-2014 | The feminization of poverty: A critical analysis of Bones (1988) and The Uncertainty of Hope (2006). | |
| Oct-2014 | The search for utopia in NoViolet Bulawayo’s We Need New Names (2013). | |
| Oct-2014 | Conceptualizing Ndebele particularism in the context of the Zimbabwean crisis. | |
| Oct-2014 | Shifting gender roles: A critical analysis of Tsitsi Dangarembga’s Nervous Conditions (1988) and Petina Gappah’s An Elegy for Easterly (2009). | |
| May-2016 | The Portrayal of Homosexuality in Selected American Soap Operas: A Case of Filmic Cultural Hegemony? | |
| 2016 | An exploration of the metaphor of a lost home in the post 2000 Zimbabwe. A case of Valerie Tagwira’s The Uncertainty of Hope (2006), NoViolet Bulawayo We need New name, (2013) and Pettina Gappah’s An Elegy for Easterly (2009). | |
| Nov-2016 | Communicating loss through #bringbackourgirls images on twitter | |
| 2014 | In search of elusive identities: a critical examination of Negro identities in James Weldon Johnson’s Ex Colored Man, Ralph Ellison’s Invisible Man and Zora Nearle Hurston’s Their Eyes Were Watching God. | |
| Nov-2015 | Return migration, space and identity in Daniel Mandishona’s White gods black demons (2009) | |
| Nov-2015 | Violence and the postcolonial state: an analysis of Christopher Mlalazi’s Running with mother, They are coming and Noviolet Bulawayo’s We need new names | |
