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ID: 94ab38b3-eada-4d17-b9cf-f2413b88fc25 - Zimbabwe’s community radio ‘initiatives’: Promoting alternative media in a restrictive legislative environment
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1892
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ID: 7523a89a-f5d6-42bb-a9de-1bd1a2ecbd79 - Victory for Africa or the Arab world? Moroccan nationalism, Arab exceptionalism, pan-African solidarity and digital fandom during the 2022 FIFA World Cup
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739
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ID: 5c634633-3863-4f54-ad7f-eed0200a2d60 - Written Zimbabwean drama as/ and intervention: The case of Raisedon Baya's Super Patriots and Morons and Tomorrow's People
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544
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ID: 897a3831-9fbb-4e07-97c6-087a92161116 - Technique and Style in African and Contemporary Comedy: Case Study of Paraffin; Muchato and Zino Episodes, Mr Bean; One Wedding and A Funeral, and the Examination Episodes, and Osuofia in London Part 1 Film.
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360
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ID: f25883f0-186b-4e0b-80c8-5c8ac1c45399 - ‘Hear our Voices’: Female popular musicians in post-independence Zimbabwe
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316
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ID: ca29af65-4121-486e-a56d-8e112958a650 - Fake News as Political Communication: On Fake News, Digital Media and the Struggle for Hegemony in Post-Mugabe Zimbabwe
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300
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ID: 873fbbcc-5b5a-4db1-85a3-8bb8dfbd2235 - An analysis of the role of costume and make-up in horror films: a case study of ‘the hills have eyes’ (2006)
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297
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ID: 5020b269-dc4c-45d8-9da5-c87cd90cc1a6 - Sabhuku vharazipi’ (2012) and the cultural imperatives of community theatre
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295
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ID: 535eb89f-fe22-4a5b-8bdf-7ead8adce3a2 - Animation and YouTube as Alternative and Counterhegemonic Digital Public Sphere in Zimbabwe
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292
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ID: 5c742695-5a8e-4c72-87ce-7fdffda2495e - Is this not colonization? Framing Sino-South African relations in South Africa’s mainstream press
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284
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ID: d1b92625-ee1c-40e9-aa12-7a102c4bd4dd - Challenges for Online Sermons and Online Communion during Covid-19 Pandemic: A Historical Perspective of Rural Congregations in the Reformed Church in Zimbabwe
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277
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ID: 1495aa5e-5735-4794-b6dd-bbef4e73f078 - Rethinking Film and Race: the representation of black woman in two western films - ‘Django unchained’ (2012) and ‘the help’ (2011)
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272
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ID: 5c8b4630-4432-4249-8076-f3f2d6f73e0e - Indigeneity, belonging, ‘madness’ and ‘corruption’: Brett Muvet and the white man’s identity crisis in post-2000 Zimbabwe
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271
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ID: 035de745-4a4b-4c7a-b8a8-698c7ff829a6 - Opposition political parties’ coalition in Zimbabwe: Challenges and possibilities
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270
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ID: 745ae196-d30e-4f8a-9e56-5cfd53de1be2 - Emerging Methods and Challenges Associated With Teaching and Learning Media Studies During the COVID-19 Pandemic Induced Lockdowns in Zimbabwe and South Africa
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270
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ID: 7769bb00-438e-4f1f-a48e-4f18df235e65 - Journalism beyond the Coup: Emerging Forms of Digital Journalism Practices in Post-Coup Zimbabwe
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270
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ID: 0425e0cd-e552-4bca-8d77-0485cacfcc1a - The production of stardom and the survival dynamics of the Zimbabwean music industry in the post-2000 crisis period
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269
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ID: 94e14817-da3b-497b-8969-370283b3afd4 - Promoting epistemic vigilance against racist attacks on Africans on mediatised permanent education sites
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263
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ID: fdd4ae16-fab8-4b8f-b9d4-24cb35be2ebe - Three pandemics in post-2017 Zimbabwe: authoritarianism, corruption, and ruling through Covid-19
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261
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ID: 2b0bb67b-1232-4119-81e0-c4a3ce9d829b - ‘Repetition without change?’: A critical discourse analysis of selected ZANU-PF advertisements for the July 2013 and July 2018 elections
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260
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ID: 723bfe52-97cf-454c-b80a-234b301a029e - The role of political and social satire in South Africa through stand up comedy: case study of Trevor Noah’s comedies, that’s racist (2012), Crazy normal (2011) and Day Walker(2009).
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260
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ID: d7c2f15c-ace6-41c8-af7d-f6e74dc054af - Playing the politics of erasure: (post)colonial film images and cultural genocide in Zimbabwe
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257
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ID: 663e409f-9ea9-4f63-a4e3-9c193e79cb16 - Newsroom Disruptions and Opportunities in Times of Crisis: Analysing Southern African Media During the COVID-19 Crisis
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253
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ID: 42a1afea-1cee-4405-b70a-7b442a407f13 - 79 Cybermusic, copyright issues and the democratic ‘deficit’ in Zimbabwe
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246
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ID: d3165e75-4898-460e-8010-bc57bf29a6aa - Culture and religion as sources of gender inequality: rethinking challenges women face in contemporary Africa
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246
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ID: 0ef133b9-df1b-4989-bf0b-d1eb44ee62f9 - Thematic concerns in the emergent Zimbabwean short film genre
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245
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ID: 598b6645-f9b4-4c69-ae07-b207ea99d693 - The Discursive Dynamics of Action-Research and Zimbabwean San People’s Production of Audio-Visual Stories
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241
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ID: ad023043-293b-4913-a616-1aaf5405868f - Language censorship in selected Zimbabwean films in Shona and English
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240
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ID: 381248f5-53dd-400e-904e-596ee02b2998 - Professionalism and acting in Zimbabwe: case study of fair take media.
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238
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ID: 2042eb85-5676-4501-a182-beef3b7894cc - Social media video clips as social commentary in Southern and East Africa: a case study of Admire Kuzhangaira, Rolland Lunga, Kansiime Anne and Pepukai Zvemari
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237
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ID: 069ffe6d-e9e2-4509-a350-4476d4ba7f53 - Intersections of nativism and football fandom in Zimbabwean online spaces
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235
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ID: 2baadc64-2fdf-4bf3-95d3-e7cdb1dd6098 - Constructing Nationalist Masculine Identities: Heroism and Legitimacy in Joshua Nkomo's The Story of my Life
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233
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ID: 585c31ed-6a2e-416a-94d6-01d5efb3e3cd - “Zollywood, Zimbavision and Zimbowood?”: In search of new paradigms for Zimbabwe's film industry
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230
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ID: 56362d43-5019-48a1-8bdd-afecd3a9e59b - Children scripting sexualities, adult attitudes and school-based sex education in Zimbabwe
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229
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ID: fa1b32ed-b999-4198-9713-9f40aa6df607 - An interrogation into the influence of patriarchy on the representation of women in Zimbabwean films: the case of Daves Guzha’s “sinners” and Tsitsi Dangarembga’s i want a wedding dress
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229
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ID: 23af1b11-4a9d-4c32-8096-285cbb79f3f8 - ‘Mind the gap’: artificial intelligence and journalism training in Southern African journalism schools
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227
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ID: 6bb0cef3-9198-43b2-a34a-f0a88723869c - Regional perspectives of resistance and freedom in selected films: a case study of 12 years a slave (2013), Sarafina (1992) and Three idiots (2009).
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227
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ID: b619cd0a-0c13-46fe-8005-562a08084348 - An investigating the violation of human rights in Zimbabwe and Palestine: the case of the plays ‘There is a field’ and ‘Super Patriots and Morons’
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223
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ID: 0f85b959-e319-43d9-912b-4911b3358f2c - An investigation into the growth and use of computer graphics and animation in Zimbabwe: present and future prospects
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221
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ID: f8f86f5f-4163-47f7-a13f-8f9879a66685 - Street theatre in Zimbabwe: a history of connection, disconnection, and reconnection
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220
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ID: 7c0f3d4f-ab97-4a06-8ba6-ae58197408f2 - Keeping African women in social reproduction roles: a systematic qualitative review of literature on post-FTLRP Zimbabwe
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215
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ID: 9d7c3a39-066b-484c-bd1d-6259c49a0132 - An assessment of the impact of make up in film productions: my experiences during work related learning from February 2016 to November 2016
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214
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ID: b8863686-d4a6-441a-8427-8b8467b6b9d2 - The portrayal of black women by Zimbabwean female playwrights: the case of in the continuum, who said i don’t want to dance and she no longer weeps
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214
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ID: 12334cd5-ca12-4b51-8d8a-51bbbb8b4bdb - Reactions to COVID-19 Media Awareness Campaigns: Insights from Gweru Urban High Density Suburbs
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211
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ID: 38c15e3a-1f0c-4fd1-921b-c8b69d647f41 - Exploring the communicative function of light, sound and colour in Hotel Rwanda
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210
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ID: d51f4b48-5ab0-46f8-87be-7221df057246 - Social Darwinist ideology, racism and conflict in selected hollywood films about Africa
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205
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ID: af990836-5714-4f41-8e0c-090b469b8e75 - Representations of Matabeleland and Midlands disturbances through the documentary film Gukurahundi: A moment of Madness(2007)
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203
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ID: 66624522-4402-48a2-ade3-3b6320f758e7 - Media and development: the politics of framing gender struggles in the postcolonial zimbabwean shona films
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202
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ID: 976d4c22-5011-4f73-ba00-81d08eca368a - An Investigation into the deregulation of Zimbabwe’s media laws and its impact to the development of the film industry
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202
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ID: b80da873-4a80-4c04-8192-fb6ff0c96b4e - (Re)inventing african oral traditions and national heritage[s] through film images: the case of Keita! The heritage of the Griot [1995] and Kare kare zvako: Mother’s day [2004]
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200
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ID: 232e012d-5394-4cc1-9bf2-159a8362bd66 - HIV and AIDS: The violence of visuality and the visuality of violence
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198
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