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ID: 2fc38cff-e4bd-4d27-95a0-76b8803c96bd - The journey motif, childhood, race and nation in Sandra Braude’s Mpho’s search (1994)
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208
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ID: a17b2df4-5a0a-424a-870d-722aebce3cc8 - Mediation of the Black African identity through social media humour
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135
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ID: bf002bf0-a35e-4c3f-af0a-34b1f69bd6d3 - Endangering the endangered: impact of fake Covid-19 social media communications in Zimbabwe
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131
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ID: fa7b2936-c72a-409e-8e3e-b22716bca389 - Violence and the postcolonial state: an analysis of Christopher Mlalazi’s Running with mother, They are coming and Noviolet Bulawayo’s We need new names
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125
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ID: df5ae97b-8159-41ec-8194-b9122261793e - Fictions, nation-building and ideologies of belonging in children's literature: an analysis of Tunzi the Faithful Shadow
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124
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ID: a8dfacbf-5271-4266-9baa-24c3e98cb004 - A content analysis of literary evidence of slave trade in Zimbabwe focusing on Zimbabwean women’s trafficking to Kuwait.
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121
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ID: 7821f8cb-6d17-4c24-bb55-88390dcaefa9 - An exploration of the metaphor of a lost home in the post 2000 Zimbabwe. A case of Valerie Tagwira’s The Uncertainty of Hope (2006), NoViolet Bulawayo We need New name, (2013) and Pettina Gappah’s An Elegy for Easterly (2009).
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117
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ID: 8b3ab274-89a2-48ef-bde0-ce6adb93f575 - Zimdancehall: a rising platform in addressing socio-political injustices through lyrics.
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114
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ID: ac299a1b-d094-40ec-8a93-96759d71a9c8 - Shifting gender roles: A critical analysis of Tsitsi Dangarembga’s Nervous Conditions (1988) and Petina Gappah’s An Elegy for Easterly (2009).
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111
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ID: 5a801d80-48bf-439a-be21-a93c5dacf235 - An analysis of intertextual entanglements in Shimmer Chinodya’s Chairman of Fools
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110
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ID: 42a102a7-2830-43fb-99cc-52a9f0c42801 - Mama Jack and the Spectre of makwerekwere
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108
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ID: 7a7d05cd-dad9-4d13-8d64-43605463cfc9 - Facebook as an alternative public sphere: online discussions of bond notes in Zimbabwe
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108
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ID: 1b4a9e74-c98a-4c47-bd72-c91e3b60ac77 - Identity construction or obfuscation on social media: a case of Facebook and WhatsApp
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107
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ID: 32e282ca-1071-4b89-b7b0-298706ee441c - The vulnerability of both genders in HIV and AIDS narratives: a study of Lutanga Shaba’s Secrets of a Woman’s Soul (2006), The Haunted Trail by Philip Chidavaenzi (2012) and Valerie Tagwira’s The Uncertainty of Hope (2006)
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107
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ID: 2d3e275d-a294-42bd-8d49-c5265090c66d - The effectiveness of strategic health communication in Zimbabwe: A case of Masvingo Provincial School Vaccinations
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106
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ID: 4994d498-6441-40d9-8404-71987c9c74bb - Drama and the struggle for social change Zimbabwe: the case of Tsitsi Dangarembga’s She Nolonger Weeps, George Mujajati’s The Wretched Ones and Raisedon Baya and Leonard Matsa’s Super Patriots and Morons,
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106
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ID: 6e6249a0-0c3a-4eff-9a1f-b51c28191f4f - Communicating loss through #bringbackourgirls images on twitter
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106
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ID: cba1b8af-b8ee-4856-b999-1d16486f3b71 - WhatsApp coup jokes and the dialogue on Zimbabwean politics
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104
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ID: 466354b5-0f95-4d44-8a82-16a0e3c15272 - Return migration, space and identity in Daniel Mandishona’s White gods black demons (2009)
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103
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ID: fecab7d2-6315-4657-aefb-7ddfcd22d3c0 - ‘Game changer or another dummy’: Media appraisals of government policies
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102
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ID: b93c8fe7-ff0a-4e35-9ff1-0d1d45be99ce - The nexus between tertiary students’ ‘side-line’ sports chants and the perpetuation of attitudes towards gender-based violence in Zimbabwe.
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101
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ID: 6f8dc5d9-f7fa-4b18-9c54-49a2aa8ffc66 - WhatsApp jokes and the dialogue on Zimbabwe’s 2017 Coup
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100
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ID: 515ddfd9-c3af-469c-a0ea-7bafdfc29e71 - Exploring the digital space as a site of literary creation
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99
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ID: f1e7b143-1487-4bf2-ab18-943a42ff8edb - The liberating role of stand up comedy in exposing socio-political concerns: an analysis of Kate William’s Katepakalypse and Trevor Noah’s That’s racist
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98
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ID: a740e967-1fd8-4c17-882b-261eb1230fc0 - The feminization of poverty: A critical analysis of Bones (1988) and The Uncertainty of Hope (2006).
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97
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ID: 3867fac1-3919-4260-9462-930a31fe7a6c - The Simultaneity of Past and Present in Ian Douglas Smith's The Great Betrayal: The Memoirs of Ian Douglas Smith (1997)
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96
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ID: 99017207-585a-4643-a9e8-8da2f51a84ad - Contesting the feminist paradigm in Tsitsi Dangarembga’s texts: an africana womanist reading of She no longer weeps, nervous conditions and the book of not
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96
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ID: 2654fdba-bd52-4537-842e-0d7f7c1d5b5c - Discursive displacement, strategic peopling: constructions of self-identity and nation in Ian Douglas Smith's Bitter harvest: the great betrayal and the dreadful aftermath and Peter Godwin's Mukiwa — a white boy in Africa.
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95
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ID: dcb063ca-dd8a-4762-90ba-b44707c85b77 - Through a Charged Field: Authoritative Discourses and Dialogism in Solomon Mutswairo's Chaminuka: Prophet of Zimbabwe (1983)
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95
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ID: 1f1580d7-ef81-4633-bbbc-85d6ec2304fb - Perspectives of Zimbabwe–China relations in Wallace Chirumiko’s ‘Made in China’ (2012) and NoViolet Bulawayo’s We Need New Names (2013)
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94
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ID: 4ea62021-cf0e-4e4d-869f-965a5b979404 - The rise of ‘the Joshua generation?’: perspectives and attitudes on Facebook activism in Zimbabwe.
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94
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ID: 5b69d950-95ae-41f1-8c64-311afc84eced - Mythicised selves: constructions of political self Identities in Nkomo's The Sun) of My Life (1984) and Tekere's 'A Lifetime of Struggle (2007)
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94
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ID: 777c5e8e-c9e2-47e5-8b50-25720622bee1 - What's up with Whatsapp profile pictures and statuses ? a multimodal approach
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94
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ID: 88647ae2-7990-4ccb-a2e9-ba5c29f6bf3b - A sociolinguistic analysis of graffiti written in Shona and English found in selected urban areas of Zimbabwe
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92
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ID: b7c0e66c-e12d-4e76-86a1-64f9bb5cb2a3 - A literary approach to the human rights discourse: the case of Zimbabwean literature
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92
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ID: 67bf5472-ea86-4685-b51d-0193fc9a36ce - A critical analysis of prisons as discourse communities: an examination of Whawha prison complex.
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91
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ID: d500f933-aa16-4746-9358-daba1998f125 - Monsters or victims: an analysis of the African child soldier as depicted in Chris Abani’s song for Night, Emmanuel Dongala’s Johnny mad dog and Ieweala Uzodinma’s beasts of no nation.
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91
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ID: f95d9572-4f68-4e6d-a8ca-1965af557819 - Wakasikirei Satani? Christian subversion in sungura discourse
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91
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ID: 72c6d10b-44ac-44a6-9b2d-c962037e3a8d - Colonial heterotopia as metanarrative in white rhodesian writing: a post-millennial reading of Peter Godwin’s Mukiwa: a white boy in Africa.
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89
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ID: 96c49919-6494-403c-ae4b-783580174071 - Ideology and the representation of black male characters in selected african american literary texts: Bontemps’s Black thunder; Wright’s Black boy; Walker’s The third life of Grange Copeland and Morrison’s Song of Solomon
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89
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ID: d7cc9368-d67d-422c-b89b-5654ff1f41f8 - `Subjectivity' in newspaper reports on 'controversial' and `emotional' debates: an appraisal and controversy analysis
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89
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ID: 3ccdc5d9-44f5-4699-9674-a1ffc0e87e43 - The discursive construction of blackness on WhatsApp status post updates in Zimbabwe
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87
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ID: 6e943130-86f7-438b-86e6-f0f261dac54a - Death, I choose
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87
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ID: 7af092ef-d308-40be-aeac-e0cf0d0a5722 - Cultural interfaces and collisions: the influence of western cinema on Zimbabwean youth culture.
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87
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ID: b3354d9c-bf95-40bf-ab15-7db3187a108a - Inscriptions of political consciousness in childhood memory in Wole Soyinka's 'Ake: the years of childhood'
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87
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ID: c89d6e61-d113-4068-8789-cef471f7e38f - ‘Remaining a man…’ representations of the constructions of men and masculinities in contemporary Zimbabwean literature: an analysis of Tagwira’s The uncertainty of hope (2006); Chikwava’s Harare north (2009) and Nyota et al’s Hunting in foreign lands (2010).
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87
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ID: d0ce8f24-e5b6-4bee-bc8b-abbdc5e7568a - The ‘reporter voice’ and ‘objectivity’ in cross linguistic reporting of ‘controversial’ news in Zimbabwean newspapers. an appraisal approach
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86
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ID: e4da6dc4-4874-4fcd-b23b-f71056b98901 - Representation of the Community Share Ownership Trust programme in print media analysing power relations between public and private newspapers: A study of The Herald and the Zimbabwe Independent, from 23 January to 18 October 2014.
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85
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ID: 664ac9ae-3880-45e8-99db-5dfef1fcf40f - The search for utopia in NoViolet Bulawayo’s We Need New Names (2013).
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84
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ID: 1deada70-48e2-43c2-8fbf-ccac2b767204 - In search of elusive identities: a critical examination of Negro identities in James Weldon Johnson’s Ex Colored Man, Ralph Ellison’s Invisible Man and Zora Nearle Hurston’s Their Eyes Were Watching God.
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83
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ID: 5f576830-1a9c-46bd-9b1f-f777bb106f94 - Engaging the regime of comedy: An analysis of the representation of “blackness” and “whiteness” in Leon Schuster’s: There is Zulu on My Stoep (1993) and Mr. Bones 1 (2001).
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83
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