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ID: 2fc38cff-e4bd-4d27-95a0-76b8803c96bd - The journey motif, childhood, race and nation in Sandra Braude’s Mpho’s search (1994)
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158
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ID: a17b2df4-5a0a-424a-870d-722aebce3cc8 - Mediation of the Black African identity through social media humour
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94
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ID: bf002bf0-a35e-4c3f-af0a-34b1f69bd6d3 - Endangering the endangered: impact of fake Covid-19 social media communications in Zimbabwe
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91
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ID: fa7b2936-c72a-409e-8e3e-b22716bca389 - Violence and the postcolonial state: an analysis of Christopher Mlalazi’s Running with mother, They are coming and Noviolet Bulawayo’s We need new names
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90
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ID: df5ae97b-8159-41ec-8194-b9122261793e - Fictions, nation-building and ideologies of belonging in children's literature: an analysis of Tunzi the Faithful Shadow
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86
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ID: 7a7d05cd-dad9-4d13-8d64-43605463cfc9 - Facebook as an alternative public sphere: online discussions of bond notes in Zimbabwe
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84
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ID: a8dfacbf-5271-4266-9baa-24c3e98cb004 - A content analysis of literary evidence of slave trade in Zimbabwe focusing on Zimbabwean women’s trafficking to Kuwait.
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84
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ID: ac299a1b-d094-40ec-8a93-96759d71a9c8 - Shifting gender roles: A critical analysis of Tsitsi Dangarembga’s Nervous Conditions (1988) and Petina Gappah’s An Elegy for Easterly (2009).
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82
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ID: 2654fdba-bd52-4537-842e-0d7f7c1d5b5c - Discursive displacement, strategic peopling: constructions of self-identity and nation in Ian Douglas Smith's Bitter harvest: the great betrayal and the dreadful aftermath and Peter Godwin's Mukiwa — a white boy in Africa.
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81
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ID: 4994d498-6441-40d9-8404-71987c9c74bb - Drama and the struggle for social change Zimbabwe: the case of Tsitsi Dangarembga’s She Nolonger Weeps, George Mujajati’s The Wretched Ones and Raisedon Baya and Leonard Matsa’s Super Patriots and Morons,
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81
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ID: 7821f8cb-6d17-4c24-bb55-88390dcaefa9 - An exploration of the metaphor of a lost home in the post 2000 Zimbabwe. A case of Valerie Tagwira’s The Uncertainty of Hope (2006), NoViolet Bulawayo We need New name, (2013) and Pettina Gappah’s An Elegy for Easterly (2009).
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80
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ID: a740e967-1fd8-4c17-882b-261eb1230fc0 - The feminization of poverty: A critical analysis of Bones (1988) and The Uncertainty of Hope (2006).
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80
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ID: 466354b5-0f95-4d44-8a82-16a0e3c15272 - Return migration, space and identity in Daniel Mandishona’s White gods black demons (2009)
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76
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ID: 6e6249a0-0c3a-4eff-9a1f-b51c28191f4f - Communicating loss through #bringbackourgirls images on twitter
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74
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ID: 1b4a9e74-c98a-4c47-bd72-c91e3b60ac77 - Identity construction or obfuscation on social media: a case of Facebook and WhatsApp
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73
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ID: 8b3ab274-89a2-48ef-bde0-ce6adb93f575 - Zimdancehall: a rising platform in addressing socio-political injustices through lyrics.
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72
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ID: f1e7b143-1487-4bf2-ab18-943a42ff8edb - The liberating role of stand up comedy in exposing socio-political concerns: an analysis of Kate William’s Katepakalypse and Trevor Noah’s That’s racist
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71
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ID: 6f8dc5d9-f7fa-4b18-9c54-49a2aa8ffc66 - WhatsApp jokes and the dialogue on Zimbabwe’s 2017 Coup
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70
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ID: 3867fac1-3919-4260-9462-930a31fe7a6c - The Simultaneity of Past and Present in Ian Douglas Smith's The Great Betrayal: The Memoirs of Ian Douglas Smith (1997)
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69
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ID: 99017207-585a-4643-a9e8-8da2f51a84ad - Contesting the feminist paradigm in Tsitsi Dangarembga’s texts: an africana womanist reading of She no longer weeps, nervous conditions and the book of not
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69
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ID: cba1b8af-b8ee-4856-b999-1d16486f3b71 - WhatsApp coup jokes and the dialogue on Zimbabwean politics
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69
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ID: dcb063ca-dd8a-4762-90ba-b44707c85b77 - Through a Charged Field: Authoritative Discourses and Dialogism in Solomon Mutswairo's Chaminuka: Prophet of Zimbabwe (1983)
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69
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ID: 32e282ca-1071-4b89-b7b0-298706ee441c - The vulnerability of both genders in HIV and AIDS narratives: a study of Lutanga Shaba’s Secrets of a Woman’s Soul (2006), The Haunted Trail by Philip Chidavaenzi (2012) and Valerie Tagwira’s The Uncertainty of Hope (2006)
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68
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ID: 42a102a7-2830-43fb-99cc-52a9f0c42801 - Mama Jack and the Spectre of makwerekwere
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68
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ID: 72c6d10b-44ac-44a6-9b2d-c962037e3a8d - Colonial heterotopia as metanarrative in white rhodesian writing: a post-millennial reading of Peter Godwin’s Mukiwa: a white boy in Africa.
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68
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ID: 777c5e8e-c9e2-47e5-8b50-25720622bee1 - What's up with Whatsapp profile pictures and statuses ? a multimodal approach
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68
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ID: c89d6e61-d113-4068-8789-cef471f7e38f - ‘Remaining a man…’ representations of the constructions of men and masculinities in contemporary Zimbabwean literature: an analysis of Tagwira’s The uncertainty of hope (2006); Chikwava’s Harare north (2009) and Nyota et al’s Hunting in foreign lands (2010).
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68
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ID: d0ce8f24-e5b6-4bee-bc8b-abbdc5e7568a - The ‘reporter voice’ and ‘objectivity’ in cross linguistic reporting of ‘controversial’ news in Zimbabwean newspapers. an appraisal approach
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68
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ID: 764ca1dd-0514-4763-8ca6-60a46e0f0d86 - Contesting narratives: constructions of the self and the nation in Zimbabwean political auto/biography
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67
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ID: b3354d9c-bf95-40bf-ab15-7db3187a108a - Inscriptions of political consciousness in childhood memory in Wole Soyinka's 'Ake: the years of childhood'
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67
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ID: 664ac9ae-3880-45e8-99db-5dfef1fcf40f - The search for utopia in NoViolet Bulawayo’s We Need New Names (2013).
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66
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ID: 67bf5472-ea86-4685-b51d-0193fc9a36ce - A critical analysis of prisons as discourse communities: an examination of Whawha prison complex.
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66
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ID: b7c0e66c-e12d-4e76-86a1-64f9bb5cb2a3 - A literary approach to the human rights discourse: the case of Zimbabwean literature
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66
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ID: 4ea62021-cf0e-4e4d-869f-965a5b979404 - The rise of ‘the Joshua generation?’: perspectives and attitudes on Facebook activism in Zimbabwe.
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65
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ID: 5b69d950-95ae-41f1-8c64-311afc84eced - Mythicised selves: constructions of political self Identities in Nkomo's The Sun) of My Life (1984) and Tekere's 'A Lifetime of Struggle (2007)
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64
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ID: d7cc9368-d67d-422c-b89b-5654ff1f41f8 - `Subjectivity' in newspaper reports on 'controversial' and `emotional' debates: an appraisal and controversy analysis
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64
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ID: 5a801d80-48bf-439a-be21-a93c5dacf235 - An analysis of intertextual entanglements in Shimmer Chinodya’s Chairman of Fools
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63
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ID: 515ddfd9-c3af-469c-a0ea-7bafdfc29e71 - Exploring the digital space as a site of literary creation
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62
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ID: d500f933-aa16-4746-9358-daba1998f125 - Monsters or victims: an analysis of the African child soldier as depicted in Chris Abani’s song for Night, Emmanuel Dongala’s Johnny mad dog and Ieweala Uzodinma’s beasts of no nation.
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62
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ID: 3ccdc5d9-44f5-4699-9674-a1ffc0e87e43 - The discursive construction of blackness on WhatsApp status post updates in Zimbabwe
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61
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ID: 5f576830-1a9c-46bd-9b1f-f777bb106f94 - Engaging the regime of comedy: An analysis of the representation of “blackness” and “whiteness” in Leon Schuster’s: There is Zulu on My Stoep (1993) and Mr. Bones 1 (2001).
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61
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ID: 875c6679-0173-4d87-8f0d-2a3791487599 - Shona-Ndebele symbolic ethnic violence in institutions of higher learning: an analysis of male toilet graffiti at Midlands State University
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60
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ID: fba230e9-fbfa-4cd4-8f23-cb631ab15d0f - Conceptualizing Ndebele particularism in the context of the Zimbabwean crisis.
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60
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ID: b23dabd4-1bda-46ca-842a-b77b98a538e6 - Feature conditioned resolution of hiatus in Chichewa
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59
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ID: d99787b3-7758-455d-8b91-79f40ed51964 - Being white in post-2000 Zimbabwe: a reading of Eames’ Cry of the Go-Away Bird
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59
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ID: 88647ae2-7990-4ccb-a2e9-ba5c29f6bf3b - A sociolinguistic analysis of graffiti written in Shona and English found in selected urban areas of Zimbabwe
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58
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ID: 980f1a4a-8937-4fde-a8ee-5e04673e7fc5 - A critical interrogation of the themes of politics and governance in the creative works of Mlalazi and Baya’s Crocodile of Zambezi (2008), Matsa and Baya’s Super Patriots and Morons (2003), and Chifunyise’s Waiting for the Constitution (2010)
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58
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ID: fecab7d2-6315-4657-aefb-7ddfcd22d3c0 - ‘Game changer or another dummy’: Media appraisals of government policies
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58
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ID: b93c8fe7-ff0a-4e35-9ff1-0d1d45be99ce - The nexus between tertiary students’ ‘side-line’ sports chants and the perpetuation of attitudes towards gender-based violence in Zimbabwe.
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57
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ID: cddb77e3-a539-4fd5-8138-bedb97fe79f3 - The joke is in the code: Paper presented at the Department of African Languages and Literature and the African Languages Research Institute International Conference 7-9 August 2017 (University of Zimbabwe, Harare – Zimbabwe)
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57
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ID: 160eff09-7201-4403-ac8a-5e8c3e2ba62e - An exploration of the destructive impact of the construct of physical beauty on the African American woman. An analysis of Toni Morrison: The bluest eye (1970) and Zora Neale Hurston: Their eyes were watching God (1937)
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56
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