|
ID: 8e7385b7-b049-4a6e-a638-ce8c1976c7b4 - Exploring Music Performance Practices in the Zimbabwe Republic Police
|
231
|
|
ID: 97f43ccb-95e7-4bfb-af25-bef801aaf70f - Preserving the nyunganyunga mbira tunes through teaching and learning of performance using Sibelius 7
|
195
|
|
ID: dc83d659-919e-4849-a9cc-93787befbd49 - Use of Ndebele indigenous melodic, harmonic, rhythmic and textural features in Ndebele contemporary choral music composition.
|
188
|
|
ID: a09df73d-72d7-4252-a673-1fbef7eb48c6 - The challenges facing the music industry in Zimbabwe: a case of the National Arts Council of Zimbabwe
|
186
|
|
ID: 4510e556-ed5f-4629-af47-3a85e0939ae0 - The national anthem: A mirror image of the Zimbabwean identity?
|
176
|
|
ID: 2aa3952a-2685-484b-b8e6-b41a566ce54a - The implementation of intellectual property rights to enhance music business in Zimbabwe: Challenges and prospects
|
156
|
|
ID: e9dc2135-dfa1-4178-8339-63d3cbcf2586 - “I Am Not a Church Person!” Gendered Cultural Politics in the Portrayal of Fungisai Zvakavapano-Mashavave on Social Media in Zimbabwe
|
148
|
|
ID: 0003b7a1-1927-44a6-8e09-664ca2aa2285 - Handina mweya unotongwa nemadzinza: Perceptions and Reflections on the Stewardship of Musikavanhu through Guardian Spirits
|
147
|
|
ID: 3d07d7fc-6eb7-484a-b3f5-fac309bbc255 - Portrayal of Zimbabwe's Socio-Economic Struggles through Winky D's Zimdancehall Soundscape
|
147
|
|
ID: ee2650f8-07dd-4d19-9f6a-6d410e3e2ff2 - Children’s game songs and rhymes
|
146
|
|
ID: 653362bd-2bc2-4215-87f3-b23cbc391029 - The Past, Present and Future of chimazambi instrument of the Ndau people of Zimbabwe
|
140
|
|
ID: cc5e6c65-527a-4348-8e6a-353034c616c7 - Pursuance of academic music studies by popular Zimbabwe musicians
|
140
|
|
ID: 01f463a2-e201-4446-b2fa-1b24b00d1aba - Thomas “Mukanya” Mapfumo and Songs of Protest in Colonial and Post-Independence Zimbabwe
|
139
|
|
ID: 5167cd1a-00fc-4ea8-a207-a52372be5177 - “Wanondishuwira hupenyu hunokunda hwawo.” The Financial Plight of Zimbabwean Popular Musicians
|
139
|
|
ID: 913734bb-c794-4430-971b-d0fb865f726b - Hegemony and Music in The Pre-Colonial, Colonial and Post-Colonial Zimbabwe
|
139
|
|
ID: c432316f-11e3-4f95-8089-f6dcc738380b - 'Vapfanha ava havasi kurara neGuka‘: Zimdancehall, drug and substance abuse.
|
139
|
|
ID: 86003d34-34fd-4c5c-b6ce-e509acf6dc72 - Acceptance of contemporary songs in the Methodist Church in Zimbabwe liturgy: Ruwa section, Goromonzi
|
136
|
|
ID: fccd9c30-7369-4648-b704-aef057f20b5a - Midlands State University visiting music students’ experiences of using netnography to learn marimba performance
|
132
|
|
ID: 329bf3ce-5186-4d23-b80c-8b1185f54ae1 - Music as a medium for communication, education and information dissemination: enhancing resilience among urban dwellers in Zimbabwe
|
131
|
|
ID: 7ab2cf33-e40b-4960-9824-6b944ef61054 - Exploring the Big Four production styles and the recording industry in Zimbabwe
|
131
|
|
ID: e0781b04-781f-441c-8fb2-d2ef3a910591 - Portrayal of Identity and Otherness in Tocky Vibes’ Song ‘Binga’
|
130
|
|
ID: 05c4be57-2157-442a-8a4a-ba76f85e916e - Popular culture in contemporary Zimbabwe Towards fostering a national cultural identity through music performance
|
129
|
|
ID: 05ac2dc7-b465-454d-9a26-5b0e7e0450f3 - Sungura music’s development in Zimbabwe: the emergence of trendsetters, emulators and copycats
|
125
|
|
ID: 6c6af943-1cc5-4c37-949f-f2ec43d71178 - A survey on the uptake of software and hardware resources for music production in Zimbabwean contemporary music
|
121
|
|
ID: afe3e772-4cfa-4034-a6b9-a2db228a1835 - The adaptation and development of Jiti for popular music performance in Zimbabwe
|
121
|
|
ID: 33a38b91-803f-4e08-9a04-ff5411e684e1 - Tenure track, research and innovation in Zimbabwean academia: Unravelling the myths and misconceptions in music
|
119
|
|
ID: 256d67b7-a6f9-41b9-95d3-31a86bcfb4f8 - Archiving the cultural legacy of mbira dzavadzimu in the context of kuriva guva and dandaro practices
|
118
|
|
ID: 49e95052-1f9b-4b64-827d-919a9508e246 - When Vulgarism Comes through Popular music: An Investigation of Slackness in Zimdancehall Music
|
116
|
|
ID: 1d23502c-e0ad-44e4-8ea5-7cf36c7329dc - Academic pursuits in the study of music: Reflections on artificial intelligence
|
115
|
|
ID: d5655482-93df-4a8e-a8af-3488c64021f4 - Dissemination of Marimba Performance Skills through Workshops: The Case of Rimba Resonance Vibes Ensemble
|
112
|
|
ID: 0e7a4e31-cc5b-4405-b4c2-6c83976d1daf - Reflecting on death through song among the Shona people of Zimbabwe
|
107
|
|
ID: 1148ff61-e84b-4f7e-8b48-2b2cbaa264b7 - Kashaura karimba” innovation and hybridization of mbira Instrumentin Zimbabwe: the birth of Karimbashauro
|
107
|
|
ID: ce922fed-6569-4feb-9285-f8e269ba925a - Perceptions and reflections on popular music in Zimbabwe today.
|
106
|
|
ID: 34f3bf11-7f97-4cff-9ebd-1562fb5ee111 - The Role of Modern Technology, Education and Innovation in Reviving and Sustaining Mbira Heritage in Zimbabwe: A Post-Colonial Exegesis
|
103
|
|
ID: 453e450f-7685-4a0f-b042-348e401f8aa2 - Mbira dzavadzimu and its space within the Shona cosmology: tracing mbira from bira to the spiritual world
|
102
|
|
ID: 441d8a9b-e6f6-4215-9bbc-aadc5c7cc8a2 - Autoethnographic Memoirs of Rimba Resonance Vibes Ensemble Festival Performances
|
100
|
|
ID: 7ac9e586-470c-4235-8392-7959810838a2 - Sarcasm and music in Shona jakwara institution
|
96
|
|
ID: 1a409e31-0da1-4438-a879-9591d3d525bc - Let the Music Bands Rock! Live Entertainment at Midlands State University Main Campus
|
93
|
|
ID: 978f99d5-5891-4c47-bc1b-e9eb68e0fea5 - Nhare mbira in rainmaking ceremonies of the Zezuru of Nharira Hills in Zimbabwe
|
92
|
|
ID: 56ebd336-921a-40e3-ad71-658a31ceb7dd - The influence of popular music, in particular urban grooves lyrics on the Zimbabwean youth: the case of the Troika, Maskiri, Winky D and Extra Large
|
91
|
|
ID: ac63e994-ebc0-4aa8-8593-a51d4b51e59e - A comparison of software-based staff notation and indigenous memorization methods in teaching the nyunga nyunga mbira
|
89
|
|
ID: b5e5f4a0-908a-43d7-a4fe-60a1255c9d38 - The nhare mbira music trends in Zimbabwe since 1980
|
89
|
|
ID: fce29fc8-26a3-497f-af90-1706c39e9bd0 - Ethnographic film and the teaching of African music: a technological approach of representing past musical hegemonies
|
89
|
|
ID: ce8633a6-3de4-4046-a6fc-f906e3a17d3c - Your silence can seriously damage someone's health : getting Zimbabwe protest songs heard
|
88
|
|
ID: e9f3007b-540a-4a13-9e6e-b9ba0ad1c2c1 - The evolution of music recording technologies in Zimbabwe
|
87
|
|
ID: 30fdec71-ec3b-4cf8-8278-08e5b4dbad67 - Notation software and music composition in selected tertiary institutions in Zimbabwe
|
86
|
|
ID: 5bbba3df-5304-4689-930f-2b2e928839f5 - Ngoma yembira, the source of inspiration and spiritual power for the Zezuru people of Zimbabwe
|
86
|
|
ID: ddfc399d-0a5f-49ce-ac15-fc16b37c396b - The Uptake of Live-streaming Technology among Zimbabwean Musicians and their Audiences
|
84
|
|
ID: c33611fb-678c-4566-9880-70ed30519265 - Perceptions and reflections of taking the bachelor of music and musicology honours degree offered by Midlands State University as a field of study.
|
82
|
|
ID: 0ebf16b2-6c4a-4376-84a9-27792e875d82 - Traditions in Transition: Gendered Cultural Dynamics in Contemporary Performances by Obabes Bembube
|
81
|
|
ID: 8146f2bc-a880-45d4-a872-ba0f64a739e7 - Nuances of Political Satire, Advocacy for Peace and Development in Selected Oliver Mtukudzi Songs
|
81
|
Daily